With this improvised performance, Sinpatron delves into the world of formal staging, generating textile complications in the actor that gradually reduce his movements until he becomes caught up in the piece. Using irony, the aim is to make a critique of the future of the current art world in general, one in which there are often attempts to constrain the artist's imagination for commercial purposes and produce things that are easier for the general public to understand.
Sinpatron is self-taught, starting out 15 years ago. His work is characterised by experimentation. To date, he has presented collections every year on different catwalks. He has created wardrobes for opera, contemporary dance pieces, alternative theatre, video-art, textile installations and music group tours as a boy and a girl.
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